RSAS  /  FAQ

Frequently Asked Questions

Getting Started

Do I need to know which artist I want?

Not at all. Many clients start with a space, a budget or a general interest, and we work out the direction together.

Is the first conversation charged?

No. An introductory call is free and carries no obligation. Fees apply only once you have agreed in writing to a specific piece of work.

What happens after I send an enquiry?

An adviser reads it personally and replies, usually to suggest a short call. We will not add you to a mailing list unless you ask us to.

Where are you based?

By appointment. We work with clients internationally.

Research

Can I commission research without buying from you?

Yes. Research stands on its own and carries no obligation.

Will you research a work another gallery has offered me?

Yes. That is exactly what the Pre-Acquisition Review is for, whoever the seller is.

Will you tell me whether a work is a good investment?

No. We do not forecast prices or give investment advice. We give you a clear account of an artist's market, so that you can make your own decision.

Do you provide valuations or authentication?

No. Our research is not a formal valuation for insurance, probate or tax, and we do not issue authentication opinions. Where you need either, we will refer you to an accredited valuer or to the relevant artist, gallery or specialist.

Will a gallery know I am asking about one of its artists?

No. Our enquiries are made without naming you, and we never share a client's interest with a gallery, a seller or another client.

Buying and Selling

How long should I expect to own a work?

There is no right answer. Because the costs of buying and selling are significant, short holding periods rarely make sense, and most collectors think in years. We would not suggest buying art with money you may need at short notice.

Should I buy an original or an edition?

Both have their place. Prints and editions offer a lower entry point, but their market depends heavily on edition size, signature, condition and publisher. Our research shows how each behaves for a given artist.

Can you sell a work I bought elsewhere?

Yes. Start with a Pre-Sale Review.

Do you handle digital works?

Only where an artist has a traceable sales record, and our research will say plainly how limited the evidence often is.

Why do you ask for identification?

The law requires art market participants to carry out due diligence on buyers and sellers in qualifying transactions. See Anti-Money Laundering.

Emerging Artists

Do artists pay to be selected?

No. Artists and galleries never pay to be considered, selected or listed.

Can I suggest an artist?

Please do. We will screen them against the same criteria as any other artist, and you can commission research if you want the full picture sooner.

Corporate and Hospitality

Can we rent rather than buy?

Yes. Rental is available to business clients on terms of one, two or three years.

What does rental cost?

10% of each work's agreed sale price per year, paid quarterly in advance. A work priced at £20,000 costs £2,000 a year, or £500 a quarter plus VAT where applicable.

Who insures rented works?

We do. Every rented work is insured by RSAS for the full term.

Can we swap works during the term?

Yes. Works can be exchanged by arrangement at any point in the term.

Can we buy a work we have been renting?

Yes, at any point during the term, and every penny of rental already paid on that work is credited against the price.

Will you work to our design scheme and programme?

Yes. We work alongside architects and designers, to their specification, schedule and preferred presentation format.

Is there a minimum project size?

No minimum for purchases. Rental scheme minimums on request. Purchases can be as small as a single work.

How long does a project take?

It depends on the scale and on whether works are commissioned. Indicative timescales are set out on Corporate and Hospitality. Tell us your opening or handover date, and we will plan backwards from it.

Can you work across several sites or countries?

Yes. We coordinate selection, framing and installation across multiple sites, with one point of contact and one consistent specification throughout.

Can the scheme feature artists from our area?

Yes. We can build a scheme around regional or local artists, each researched to the same standard as any other artist we propose.